Posts Tagged ‘Does Your Mother Know’

50 år B&B

8 June, 2016

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Sunday 5 June 2016 marked the 50th anniversary of the first meeting of Björn Ulvaeus and Benny Andersson. A chance meeting that became a firm friendship and songwriting partnership that endures to this day.

In a room filled with 300 or so invited family, friends and associates at Berns Salonger in central Stockholm, Björn and Benny celebrated the anniversary with a night filled with music, memories, and fun, arranged in secret by Benny’s son Ludvig Andersson, Görel Hanser, stage director and BAO member Lars Rudolfsson, and Master of Ceremonies Claes af Geijerstam.

The night featured an audio-visual presentation of Björn and Benny’s career. Interrupting the presentation were musical performances by guest singers, backed primarily by Benny Anderssons Orkester (without Benny), revisiting Björn and Benny’s vast catalogue.

Hep Stars lead singer Sven Hedlund sang Björn and Benny’s first song ‘Isn’t It Easy To Say’, apparently the first time he has ever performed the song live; Peter Jöback and Lill-Babs duetted on the Björn & Benny single ‘Det kan ingen doktor hjälpa’; Ludvig sang ‘Rock Me’ while his half-brother Peter Grönvall joined the band on keyboards; Pernilla Wahlgren and Lena Philipsson sang ‘Hole In Your Soul’; Helen Sjöholm sang ‘Where I Want To Be’ from Chess while Tommy Körberg sang BAO’s ‘Du är min man’, a reversal of their usual songs. Apparently there were other performances, but details haven’t been made public.

Paul McCartney sent a video greeting congratulating the pair on their long relationship and continued success. Björn and Benny have often professed that they were inspired to write songs, separately and together, by the example of Lennon and McCartney and The Beatles in the mid-1960s.

The night climaxed when Björn and Benny took to the stage to perform ‘Does Your Mother Know’, Björn handling lead vocals while Benny joined in on keyboards. After they returned to their seats, much to everyone’s surprise Frida and Agnetha were introduced to sing ‘The Way Old Friends Do’, dedicated to their old partners. Just as they did in 1979, Frida sang the first lines, Agnetha sang the next lines, then the two joined together in harmony. After the song, Björn and Benny returned to the stage for a brief emotional reunion.

With the formal events of the evening over, BAO took over with dance music until late in the evening.

Immediately the news of a so-called ABBA reunion flashed around the world. Unfortunately, as the story spread, it became more and more wrong about the events of the evening.

Due to an unfortunate misunderstanding of the song title, thanks to the way it had been introduced, it was reported in Expressen, quoting guitarist Janne Schaffer, that Frida and Agnetha had sung a song called ‘You And I’. Those are the first three words of ‘The Way Old Friends Do’, but are also the title of a song from Chess. So the story spread that they actually sang the song from Chess, perhaps not the best choice of song for a tribute. Then when other media outlets picked up the story and didn’t recognise that song title, but found that ABBA had a song called ‘Me And I’, they started reporting that the two women sang that song, an even less appropriate tribute than ‘You And I’ 

It was also widely reported that Björn and Benny joined the women on stage to sing, for an “ABBA reunion”, but that didn’t happen. The two men only returned to the stage after the song had finished. All the photos of the four together on stage on social media and elsewhere were taken in the minute or so after ‘The Way Old Friends Do’.

Pretty much every story stated that this was ABBA’s first public performance in 30 years. It was neither. The last (known) time the four sang together was 17 years ago, in June 1999 at Görel Hanser’s 50th birthday party. Prior to that they had also sung at Claes af Geijerstam’s 40th birthday party in 1986. Neither of these were public events, but like Sunday’s gathering, private parties for invited guests only.

The so-called last public performance by ABBA referred to in the media was not in public either, but to a small gathering of probably four or five with film crew and Görel and Anders Hanser, when they taped the performance of ‘Tivedshambo’ for Här är ditt liv (This Is Your Life) for Stig Anderson in January 1986. Hardly a public performance, but it was the last time “ABBA” were seen by the public, albeit on television 

After three decades of avoiding appearing as a group, this marked the second occasion that the four had been seen together this year. In January the four appeared on stage briefly at the opening of opening of Mamma Mia! The Party. Does this mean that a formal ABBA reunion is in the works? Of course not. On every occasion they’ve been together since 1982, it has been some private celebration, without media and fans present.

(Photo: Instagram @poptonten)

Alternate versions

18 May, 2014

WaterlooABBA’s main catalogue consists of 98 individual songs, with a plethora of well-known alternate versions: recordings in languages other than English, remixes, edits and more.

However, there are a number of alternate versions of ABBA songs that evaded most fans for many years, or the stories behind them aren’t well known. Here is the first part of a two-part look at some of those alternate mixes.

Waterloo: when the English version of ‘Waterloo’ was first released in Sweden in March 1974, the single contained an early mix, not the final approved one. When it was discovered, the single was recalled, and reissued win the correct mix under the same catalogue number. Some copies had already been sold and remained out in the world. This alternate mix was not widely known among ABBA fans until the early 21st century, when fans who owned the single started discussing it in online forums. The alternate mix was included in The Complete Studio Recordings box set in 2005. It is now available on the Waterloo Deluxe Edition CD (2014).

Ring Ring: in 1974 after the number one success of ‘Waterloo’, Epic Records in the UK decided that ABBA’s 1973 Eurovision hopeful ‘Ring Ring’ should be re-released as the follow up single. But rather than re-release the 1973 version, Epic Records A&R man Paul Atkinson suggested it should be “beefed up” to more closely resemble the sound of ‘Waterloo’. Atkinson flew to Stockholm to oversee the makeover, which featured a heavier sounding guitar riff, and a short saxophone riff near the end of the choruses. It seems that it may have actually been a different take of the vocal. As well as being released in the UK (where it reached a dismal number 32), it was also released in Australia and West Germany. Curiously, it appears that in West Germany it was intended as the A side, backed with ‘Honey, Honey’, but it was ‘Honey, Honey’ that was promoted and sold as the A side. It’s certainly the side that ABBA promoted on various West German television shows. This mix was also used on the promotional clip, filmed in June for distribution for television stations around the world. A different mix of the alternate version appeared on the Atlantic Records Waterloo album in the USA and Canada, with an even heavier and noisier mix, and saxophone riffs after every line of the chorus. The single mix first appeared on CD in the CD singles box set Singles Collection 1972*1982 in 1999, mastered from a vinyl single as the master could not be located. The master was eventually found, and included on the 2001 compilation The Definitive Collection. The so-called US mix was first released on CD on the Waterloo remaster in 2001. Both mixes are included on the Waterloo Deluxe Edition CD.

Man In The Middle: another alternate mix that only came to light in recent years is the ABBA album track ‘Man In The Middle’ from 1975. First thought to only have appeared in the 1986 Polydor CD release of the ABBA album in Japan, it has since been found that it appeared on the album when released in France by Vogue Records in 1975. The difference is minor: on the standard version the vocal “in the middle middle middle… ” at the end of the second chorus has been subjected to electronic treatment, and possibly an additional overdub by engineer Michael B. Tretow, making it deeper and more rumbling. On the alternate mix, this vocal is untreated, like the one at the end of the first chorus.

Fernando: when ABBA performed their new single ‘Fernando’ on the West German television special The Best Of ABBA in early 1976, they mimed to a very different mix to the one released on record. This version featured a chiming sound playing a counter melody throughout the choruses. Later in the year, ABBA performed ‘Fernando’ on the US program Midnight Special, the backing track over which ABBA sang live had two extra bars of music in the break between the first chorus and the following verse. Neither of these variations has been released on CD, though the full West German TV special was briefly available in a DVD box set of the Musikladen series.

When I Kissed The Teacher: the Swedish television special ABBA-dabba-doo!! featured specially-made clips or performances of most of the songs from the forthcoming Arrival album. The special included an early mix of the album’s opening track ‘When I Kissed The Teacher’. The first verse was missing the echoed vocal “they dreamed”, and the rumbling build up under the lines “nearly petrified cause he was taken by surprise”. The rest of the track is a slightly different mix from the album version. This version was released on DVD along with the entire special on the Arrival Deluxe Edition in 2006.

The King Has Lost His Crown, Kisses Of Fire, Lovers (Live A Little Longer), Does Your Mother Know: in February 1979 ABBA travelled to Switzerland to make the television special ABBA in Switzerland. Several early mixes of songs from the unfinished Voulez-Vous album were included. The most radical difference was ‘Does Your Mother Know’, which had a much looser and more rock and roll feel than the discofied final version released on record a few months later. The special including all these alternate versions was released on the Voulez-Vous Deluxe Edition DVD in 2010.

More alternate mixes to come in part 2…


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