Posts Tagged ‘Arrival’

Two new ABBA box sets

17 September, 2022

Two new ABBA CD box sets have recently appeared in Europe, separate from the CD box set released internationally in May through Universal Music. Both collect ABBA’s nine studio albums, plus the Live at Wembley Arena double CD and the DVD The Essential Collection.

Unusually, these are not available in music stores, but through newsagents. Each individual album is released one per week.

Each disc is packaged in a bi-fold cardboard sleeve. The eight original studio albums copy the 2001 remasters, with the same bonus tracks and booklets. However the cover artwork replicates the original albums.

The first set is available in Spain through the newspaper El País. The first disc, Ring Ring, was available on 12 June, along with the box to contain the full set. The studio albums were released chronologically, followed by the live album and the DVD. The final disc was released on 21 August. All discs are available individually online, as is the full box set. However, one must be a residen of Spain to purchase.

The second set is available in Italy through direct marketers Mondadori per te. The first disc, ABBA, is available from 26 August, and comes with the box. Each disc comes with the original 2001 booklet plus a new booklet in Italian. Like the Spanish set, one disc is released per week, but in a different order: ABBA, Arrival, Voulez-Vous, Voyage, Waterloo, Super Trouper, ABBA – The Album, Ring Ring, Live at Wembley Arena, The Visitors, and The Definitive Collection. Each is also available online, a week after release. Also like the Spanish set, this is only available to residents of Italy. Unlike the Spanish set, it appears the full box set isn’t available online, only the individual discs.

So, if you don’t live in Spain or Italy and are wanting to get these sets, you’ll have to contact friends in those countries.

Remembering when Arrival was released

27 April, 2013

ABBA/ARRIVALThe anticipation for Agnetha’s new album A, and the staggered release of her new songs (not to mention the leaking of other songs), made me recall the anticipation in late 1976 for ABBA’s album Arrival, and it shows what a different place the world is today.

Here in Australia Arrival was the anticipated event of the latter half of 1976. In the months leading up to its release we got our first taste in July when ‘Dancing Queen’ was shown on the television special ABBA In Europe (the German Musikladen special The Best Of ABBA retitled). The single ‘Dancing Queen’/’That’s Me’ followed soon in August, though it seemed an eternity.

During the next few months there were many reports in the newspapers telling us about the songs recorded for the album, including “a Hawaiian-sounding song”, an instrumental entitled ‘Ode To Dalecarlia’, and other intriguing titles such as ‘I Am The Tiger’ and ‘Money, Money, Money’.

In October we had back-to-back television specials featuring songs from Arrival. First we had ABBA In Sweden (a repackage of the Musikladen special), which previewed ‘Money, Money, Money’, followed a couple of weeks later by ABBA From The Beginning (an edited version of the Swedish special ABBA-dabba-doo!!), which included nine songs from Arrival.

We all recorded the songs on cassette from the TV, often by holding a microphone in front of the speaker. We had no other option to get these songs we had not heard before that had not been released. My friends and I would get together and listen to these low-fi cassettes over and over, engrossed in the new ABBA songs. We would copy these cassettes for other friends who had not recorded them from the TV themselves.

A week or so before Arrival was released a local radio station played all the songs from the album, one every hour for an entire day. But this was on a school day!!! How would I get to hear the songs? I hid my transistor radio in my coat pocket, running the earphone up through a hole in the lining, so I could surreptitiously listen during school. Luckily some songs were played during recess and lunch breaks, which made it easier to listen, and a group of us would huddle around the radio. No teachers questioned why I was wearing a heavy coat on a hot November day!

I kept note of each song played in each hour. I’d already heard ten eleven of the eleven songs by then (in Australia and New Zealand ‘Fernando’ was added to Arrival on side B, between ‘Why Did It Have To Be Me’ and ‘Tiger’), but this was the first time I heard “the title track”, as it was referred to every time it was played. I probably still have that piece of paper somewhere.

But where were the Hawaiian-sounding song and ‘Ode To Dalecarlia’ that we’d heard about? As it turned out ‘Happy Hawaii’ wasn’t included on Arrival, but released as the b-side to ‘Knowing Me, Knowing You’ in February the following year, and ‘Ode To Dalecarlia’ had been retitled ‘Arrival’.

There were no leaks of songs, and if unheard songs were broadcast overseas we would only hear them if we were lucky enough to have a pen friend who could send a cassette, but that would take weeks by mail.

Arrival was released in Australia on Monday November 15th. I had the album pre-ordered from my local record shop, which got its delivery of albums on the Friday before, and put them on sale immediately! So I was lucky and got the album three days earlier than expected. Finally I got to hear all the songs in the proper stereo glory, not on those buzzy mono cassettes recorded from TV.

Dum Dum Diddle – it’s not that bad

6 August, 2011

Dum Dum Diddle on ABBA-dabba-doo!! (photo: of the most criticised songs in ABBA’s catalogue is ‘Dum Dum Diddle’, from the 1976 Arrival album. Common criticisms focus on the lyrics, the instrumental backing and especially the title, which seems to tarnish the whole song.

The criticism seems to have started around 1994, when Björn discussed the song in Carl Magnus Palm’s book ABBA – The Complete Recording Sessions. Björn described writing the lyrics almost at the last minute before a scheduled recording session, saying “it might as well have been Dumb Dumb Diddle!”.

ABBA obviously didn’t think the song was so bad at the time. Though it was not an international single release, it was a featured track on the Arrival album. ABBA performed it live on the 1976 television special ABBA-dabba-doo!! and also on the European and Australian concert tour in January-March 1977.

But is there anything really wrong with the lyrics? Songs equating love with a musical instrument are nothing new. ABBA would revisit similar territory in 1980 with ‘Andante, Andante’ on Super Trouper.

“Nonsense” words in a song are as old as popular music, stretching back to ‘Ob-la-di, Ob-la-da’,  ‘Da Doo Ron Ron’, ‘Tutti Frutti’ (“a-wop-bop-a-lu-bop a-lop-bam-boom”) and ‘Aba Daba Honeymoon’ (“Aba-daba-daba-daba-daba-daba-dab”). ABBA were no strangers to nonsense lyrics either; 1975’s ‘Bang-A-Boomerang’ featuring the couplet “dummi-dum-dummi, dummi, dum-dum/love is a tune you hummy-hum-hum”.

Conversely a stripped down version performed at the B&B tribute concerts in the late 90s by Helen Sjöholm, accompanied by solo violin played by Kalle Moraeus, has been highly praised for the way the arrangement suited the lyrics.

ARRIVAL vinyl reissue

17 October, 2007

ARRIVAL 200 gram vinyl LPThose sneaky Japanese have surprised us yet again with this limited edition 200 gram vinyl reissue of ARRIVAL.

This brand new version was released on 3 September 2007. It features the ten tracks on the original album, with no bonus tracks (a 1998 LP added ‘Fernando’). Apparently there’s no inner sleeve,  but there is a lyric sheet.

ARRIVAL is available now from Elusive Vinyl ,, Music Direct or eil.

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